The maxim, “Everything is Connected” is central to my image making. Exploiting the natural physicality of painting, with its perpetual erosion and malleability, I’m interested in how our environment is ultimately a subjective experience open to personal interpretation. The plastic, the ephemeral, and everything in between are intertwined in this work. Memory and active perception are in flux as first impressions dissolve and new revelations emerge. When looking at these energetic images the viewer is free to assign meaning and revel in sensation. The public and personal is ambiguously intermingled. The paintings are windows of self-reflection and residue of performance.